The Music Libel Against the JewsBy Ruth HaCohen (Yale University Press, 507 pp., $55) IN NOVEMBER 1934, Privy Councilor Wilhelm Furtwängler, vice president of the Third Reich’s Music Chamber and conductor of the Berlin Philharmonic Orchestra, imprudently took to the pages of the Deutsche Allgemeine Zeitung to defend the composer Paul Hindemith against the charge of “Jewishness” with which Joseph Goebbels, the Nazi minister for propaganda and enlightenment of the people, had justified a prohibition on the performance of his work.
You do not need insider information to know that Hillary Clinton threw a hissy fit at Bibi Netanyahu last Friday morning. And you don’t need that kind of information to know that she was sent out to do this little job by her boss.
“THANK YOU, MOSES.” When I heard those words outside the marshal’s office at the Supreme Court the other day, I trembled for my country. I had come to hear the oral arguments in the Ten Commandments cases, and was prepared for a morning’s appreciation of what Moses brought down from the mountain; but in the courtroom, not in the corridor. My liberal’s back went up. Thou shalt not mistake the Torah for the Constitution.