Want a mindbender? Go read Jonah Weiner's featured piece in Slate today on the party rock crew LMFAO, the uncle-nephew duo whose younger member was the fine fellow involved in the 2010 air-rage altercation with Mitt Romney that I describe in the current cover story. Chances are, you know as little about LMFAO as I did before I went to a show of theirs in Silver Spring two weeks ago, hoping to score an interview with the Romney assailant, Sky Blu.
Songs From the Labyrinth - Sting (Deutsche Grammophon) Rock and rollers, as they age, sometimes find themselves outgrowing a music they cannot outlive. Rock, a style invented for teenagers—or, more precisely, one adapted from an older style made originally for adults, the blues—endures as a bluntly, rudely cogent expression of adolescent anxiety, rage, and sexual fantasy. Long live rock and roll! The beat of the drums, loud and bold!
ON THE SEATING CHART of the creative fraternity, record producers occupy one of the rows behind film directors and in front of book editors. In recording, it is the performers who are the "artists," as the music press and the people who run the Grammys like to remind us. Producers, as a rule, are hired by record companies to produce in a fundamentally commercial sense: to supply product. The task involves extraction (from the artists), organization and supervision (of those artists and their work), and collaboration (with the artists), in varying measures; the producer's job is essentially sus
Tony Kushner's new play, Caroline, or Change is a formal anomaly. It has been hailed as a breakthrough musical created by a confident professional collaborative—vigorous score by Jeanine Tesori (Thoroughly Modern Millie), lively choreography by Hope Clarke (Spunk), and dynamic staging by George C. Wolfe (Jelly's Last Jam).
On May 28, George Tenet delivered for the Bush administration. Nearly two months had passed since the fall of Baghdad. U.S. forces had turned up no weapons of mass destruction (WMD) in Iraq, raising the specter of gross misjudgment on the part of the U.S. intelligence community and allegations of presidential dishonesty. But, that day, the CIA announced that two trailers found in northern Iraq the previous month were actually mobile biological-agent production facilities.