The Movie Review
Is 'Dracula Untold' An Islamophobic Movie?
October 24, 2014
If it’s not a larger-than-life action flick where America is saving the world from aliens, chances are Hollywood will get it all wrong.
The Movie Review: 'The Damned United'
October 23, 2009
Brian Clough is a legend among English soccer managers. He was the youngest coach in the league when, at 30, he took over Hartlepools United in 1965. In the early 1970s, he lifted a mediocre Derby County team from the Second Division to champion of the First, playing in a European Cup semifinal along the way. And in the late 1970s, he took an obscure Nottingham Forest squad all the way to back-to-back European Cup trophies, a feat considered one of the greatest in the history of the sport.
The Movie Review: ‘Where the Wild Things Are’
October 16, 2009
Near the end of Maurice Sendak’s classic Where the Wild Things Are, as young protagonist Max is abandoning the fantastical creatures who have crowned him their king, the Wild Things plead, “Oh please don’t go--we’ll eat you up--we love you so.” The line neatly captures one of the central insights of Sendak’s slim masterwork: the close proximity in the preadolescent mind between affection and aggression, between the loving and the eating. Spike Jonze’s film adaptation, which he co-wrote with Dave Eggers, expands Sendak’s tale considerably, but rather than lose track of this insight, the movie
The Movie Review: ‘A Serious Man’
October 09, 2009
The wittiest scene in Joel and Ethan Coen’s 2001 film The Man Who Wasn’t There is one in which a fast-talking defense attorney, Freddy Riedenschneider (marvelously played by Tony Shalhoub), invokes Heisenberg’s uncertainty principle as grounds for a not-guilty verdict in a murder case: We can’t know what really happened.… Because the more you look, the less you know. But the beauty of it is, we don't gotta know! We just gotta show that, goddamnit, they don't know. Reasonable doubt. Science. The atom. You explain it to me.
The Movie Review: 'Zombieland'
October 02, 2009
Zombieland, the second horror-comedy to be released in the last couple of weeks (in this case, horror-action-comedy is probably a more apt description),is everything Jennifer's Body was not--fast, funny, and fully aware of the obligations and opportunities inherent in the genre.
The Movie Review: 'Fame'
September 25, 2009
Way back in 1980, when the Oscar-winning theme song of the movie Fame declared "I'm gonna live forever," it was easy to believe the lyric was an example of artistic license. Now, it's not so clear. With almost Biblical tenacity, the film begat a television series which begat a stage musical which begat a reality show. When that last iteration was cancelled after a single season in 2003, it was possible to imagine that the longest 15 minutes in show business history had finally ticked to a close.
The Movie Review: ‘The Informant!’
September 18, 2009
So this is what Matt Damon has been keeping bottled up during all those taciturn hours playing Jason Bourne. In Steven Soderbergh's The Informant!, Damon plays--and plays very, very well--a character in every way the opposite of his efficient, amnesiac superspy: a babbling bumbler who goes undercover for the FBI to gather information against his own employer but winds up exposing mostly himself.
The Movie Review: 'Jennifer's Body'
September 18, 2009
"Hell is a teenage girl," Jennifer's Body announces in its opening moments. But the film's thesis is really more particular: Hell is a teenage girl who has been unsuccessfully sacrificed to Satan by an alt-rock band and, as a result, finds that she has become a flesh-eating demon. It's a difficult case to contest. After a brief prologue that finds the movie's good-girl protagonist, Needy Lesnicky (Amanda Seyfried), kicking ass and taking names in a penitentiary somewhere, the movie rewinds to explain how she arrived at this unhappy juncture.
The Movie Review: 'Inglourious Basterds'
August 21, 2009
There is a moment in the first scene of Quentin Tarantino's Inglourious Basterds that is not what it appears to be. A Nazi colonel named Hans Landa (Christoph Waltz) is interviewing a French farmer (Denis Menochet) he believes to be sheltering Jews. Landa is conducting the inquiry in more than passable French (yes, with subtitles and everything), when he pauses. He's come to the limits of his francais, he claims. Does the farmer speak English and, if so, might they continue in that tongue?
The Movie Review: 'Public Enemies'
July 02, 2009
It's taken countless hours of TV crime-drama ("Crime Story," "Miami Vice") and nearly a dozen feature films (Heat, Collateral, Miami Vice again), but in John Dillinger, Michael Mann may finally have found an ideal vessel for his particular vision of masculine cool: stylish, charismatic, unflappable, adept at violence but not hungry for it. After spending nine years in prison for his rookie robbery (a grocery-store heist that allegedly netted him $50), Dillinger emerged in May 1933 to launch perhaps the most storied crime spree in American history.