In the spring of 2010, the Arizona legislature passed one of the harshest immigration measures in years: SB1070, which makes it a crime for immigrants not to carry documentation at all times. The law ignited a national uproar, the Justice Department announced that it plans to sue the state, and Arizona was pilloried in the press for encouraging racial profiling.
My latest column for Kaiser Health News: Critics of health care reform this week thought they would get their first win in the campaign to repeal the Patient Protection and Affordable Care Act. Instead they got a lesson in just how politically challenging a wholesale repeal might be. At issue was an obscure, but unpopular, provision within the new health law that requires businesses to file 1099 tax forms anytime they purchase goods or services worth more than $600. The idea is to collect income taxes from the vendors producing those goods and services -- taxes many vendors avoid paying now.
Jacob S. Hacker is the Stanley B. Resor Professor of Political Science at Yale University. An expert on the politics of U.S.
We are living in an extraordinary time. The world has been badly shaken. In the space of a few days a system that we thought was as secure and assured as the air we breathe lost all its landmarks, its clarity, and was seemingly swallowed up by a black hole. Money--essential to the spirit of peace--congealed, like blood in veins. Credit--this fine word is also expressive of people's faith in others--like a machine that jammed, and then stopped. Confidence--the famous "confidence" that is also integral to the pact among citizens and the reasons it must be perpetuated--like a spell that is evapor
Last night, around dinnertime, The New York Times postedon its website a 3,000-word investigation detailing Senator John McCain’s connections to a telecommunications lobbyist named Vicki Iseman.
John Ruskin: The Later Years by Tim Hilton (Yale University Press, 656 pp., $35) In the second volume of John Ruskin's three-volume study The Stones of Venice, which appeared in 1853, there is a chapter titled "The Nature of Gothic." It opens conventionally enough, with Ruskin promising to describe the "characteristic or moral elements" of the Gothic; but readers who were familiar with Ruskin's earlier works, Modern Painters and The Seven Lamps of Architecture, and who had been dazzled by his word-pictures of works of art and scenes of nature, could not possibly have expected a straightforwar