Last week, I wrote about The Hunting Party, a film that tried (and failed) to integrate geopolitics into a black comedy. This week, The Kingdom attempts the only slightly less daunting task of integrating geopolitics into an action film. (Rather see a movie that leaves out the geopolitics altogether? I'm afraid you have a fewfrustratingmonths ahead of you.) That The Kingdom manages, to at least some degree, to accomplish the feat is a tribute to its director, Peter Berg (Friday Night Lights, The Rundown), who guides the film with poise and intelligence.