Peter Guralnick

Memphis on Broadway

Memphis Shubert Theatre Million Dollar Quartet Nederlander Theatre Anyone in denial about the demise of the record business will find on Broadway these nights proof of death more conclusive than the disappearance of music stores from the malls or the elimination of DJs from radio stations. Two musicals staged this year—Memphis, which won the Tony Award for Best Musical, and Million Dollar Quartet, which is set in the same city in the same period and deals with many of the same themes—verify the extinction of the old-school music industry by showing it to exist now solely as sentimental myth.

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Love in Vain

Escaping the Delta: Robert Johnson and the Invention of the Blues By Elijah Wald (Amistad, 342 pp., $24.95) Robert Johnson: Lost and Found By Barry Lee Pearson and Bill McCulloch (University of Illinois Press, 142 pp., $24.95) Martin Scorcese Presents the Blues: A Musical Journey Edited by Peter Guralnick, Robert Santelli, Holly George-Warren, Christopher John Farley (Amistad, 287 pp., $27.95)   The legend is known to any blues fan: he was an eager kid sitting at the feet of his musical idols, borrowing the guitar he could scarcely play and generally making a nuisance of himself.

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