Peter Schjeldahl

The Curse of Warholism
November 15, 2012

Never mind Andy Warhol’s art. It’s his perspective that’s doing the damage.

In Sickness and In Health
July 12, 2012

The Brucennial Frieze New York Stanley WhitneyTeam Gallery Owen GrayBlue Mountain Gallery Jeff WallMarian Goodman IN RECENT MONTHS, people who are avidly engaged with contemporary art have been checking their pulses so often that I can only conclude they are worried about their vital signs, not to mention the health of the galleries, museums, auction houses, art fairs, and sundry publications that help to sustain them. These health checks have become global in nature, with frenzied reports arriving from galleries in Beijing, auctions in Hong Kong, an art fair in Abu Dhabi.

The Opportunist
October 20, 2010

Leo and His Circle: The Life of Leo Castelli By Annie Cohen-Solal (Alfred A. Knopf, 540 pp., $35) I. Annie Cohen-Solal’s new biography of Leo Castelli, the art dealer who will forever be associated with the meteoric rise of Jasper Johns and Robert Rauschenberg in the years around 1960, has set me to thinking about the interest that men and women who run galleries inspire among a fairly wide public.

Beyond Belief
February 16, 2004

I.  “TRASH” ACCORDING TO Sabine Folie, chief curator at the Kunsthalle in Vienna, “has become a transc end ental necessity.” Folie, about whom I know nothing other than her absolutely perfect name, is writing in the catalogue of “‘Dear Painter, Paint me...,’” an exhibition that recently toured Europe and included work by John Currin, the fly speck of a painter who has been stuck in many a New Yorker’s eye since his mid-career retrospective opened at the Whitney Museum in November.

Requiem for a Featherweight
November 21, 1988

Robert Hughes examines the career of New York graffiti artist Jean-Michel Basquiat, a story set against the city's new-wave scene.