Egyptian presidential candidate Abdel Monem Abouel Fotouh was a leading force in the militant Islamist student movements of the 1970s; one of the Muslim Brotherhood’s point men for aiding the mujahideen in Afghanistan during the 1980s; and a member of the Muslim Brotherhood’s Guidance Office for twenty-two years.
Exactly one year ago today, I stood in front of the Lawyers Syndicate in downtown Cairo and watched as a few thousand protesters suddenly streamed into the area from the north, overwhelmed Egypt’s notoriously violent riot police, and pushed onward towards Tahrir Square. That mile-long march, which culminated with the protesters bursting through a human chain of officers and seizing the Square, was the most inspiring thing that I’ve ever witnessed, and it remains so.
December 2 was supposed to be “Heroes of Mohamed Mahmoud Friday” in Cairo. The previous week, around 40 people had been killed by security forces while demonstrating in Tahrir Square, with the worst violence occurring on adjacent Mohamed Mahmoud Street. To memorialize the dead, Egypt’s youth activists had called for a million-man march, complete with parachute-sized Egyptian flags to convey their spirit and mock coffins to convey their sadness. Yet, for the second time in five days, the call for a million protesters to show up in Tahrir Square yielded just hundreds.
Tony Bennett: The Complete Collection Sony Music More than thirty stars of contemporary or recent-vintage pop, rock, and country music sing with Tony Bennett on his two CDs of cross-generational collaborations, Duets and Duets II, the second of which was released shortly after Bennett’s eighty-fifth birthday last summer. The albums are narratives of pilgrimage. Most of the guest singers, who include Lady Gaga and Faith Hill, are young or youngish; and the oldish ones, such as Paul McCartney and Aretha Franklin, are considerably younger than the singer who brought them together.
Milton Babbitt, who died on January 29 at 94, produced some of his best-known music electronically, using the gargantuan, rudimentary computers of punch-card antiquity. Since there is no action footage of the work being created or performed, the clips of this music on Youtube are generally accompanied by still photographs of Babbitt, and these pictures point as well as the music to the Milton Babbitt problem. There he is: bald, middle-aged, and white, in his horn-rim glasses and tie, posing with his instrument, the RCA Mark II Sound Synthesizer, at the David Sarnoff Laboratory in Princeton.
Memphis Shubert Theatre Million Dollar Quartet Nederlander Theatre Anyone in denial about the demise of the record business will find on Broadway these nights proof of death more conclusive than the disappearance of music stores from the malls or the elimination of DJs from radio stations. Two musicals staged this year—Memphis, which won the Tony Award for Best Musical, and Million Dollar Quartet, which is set in the same city in the same period and deals with many of the same themes—verify the extinction of the old-school music industry by showing it to exist now solely as sentimental myth.
DAVE DOUGLAS: STRANGE LIBERATION (RCA) If this paragraph were a piece of music by Dave Douglas, it would make a summing-up statement here at the beginning, then proceed in reverse motion until it ended with an introduction of its main theme. Or it would start with a core idea and build through accretion, amassing in layers instead of progressing conventionally in any direction. Phrases would be planned exactingly to sound spontaneous, and improvised parts would take off on subtle compositional elements such as timbre. The vernacular and the formal would conjoin. You would recognize the musical