Robert Rosenblum

The Curse of Warholism

Never mind Andy Warhol’s art. It’s his perspective that’s doing the damage.

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Beyond Belief

I.  “TRASH” ACCORDING TO Sabine Folie, chief curator at the Kunsthalle in Vienna, “has become a transc end ental necessity.” Folie, about whom I know nothing other than her absolutely perfect name, is writing in the catalogue of “‘Dear Painter, Paint me...,’” an exhibition that recently toured Europe and included work by John Currin, the fly speck of a painter who has been stuck in many a New Yorker’s eye since his mid-career retrospective opened at the Whitney Museum in November.

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