Why novelists love to write about affairs between professors and students.
Black Swan Green By David Mitchell (Random House, 294 pp., $23.95) I. 'I liked it." Is there anything less interesting to say about a book? Every negative piece is negative in its own way: we remember with a grim chuckle Mark Twain's enumeration of James Fenimore Cooper's literary offenses ("There have been daring people in the world who claimed that Cooper could write English, but they are all dead now"), or Nabokov's epistolary rebuke of Edmund Wilson ("A patient confidant of his long and hopeless infatuation with the Russian language, I have always done my best to explain to him his mistake
Atonement By Ian McEwan (Doubleday, 400 pp., $26) Ian McEwan is one of the most gifted literary storytellers alive—where storytelling means kinesis, momentum, prowl, suspense, charge. His paragraphs are mined with menace. He is a master of the undetonated bomb and the slow-acting detail: the fizzing fact that slowly dissolves throughout a novel and perturbs everything in its wake, the apparently buried secret that will not stay dead and must have its vampiric midnight.