In early September, officials from the Chilean Embassy in Washington, DC came to my office for advice about a political crisis wracking their country. Angry about the state of university education—including high tuition costs, predatory student loans, ineffective school vouchers, pervasive inequality, and rampant profit-taking—hundreds of thousands of Chileans have taken to the streets regularly since May of this year, participating in demonstrations and national strikes.
The fate of attacking football in this tournament largely rests with Marcelo Bielsa’s Chile. Like so many other teams in these opening games, they should have probably run up a much higher score today. (A point-blank header into the arms of the goalkeeper didn’t help.) But it’s hard not to be enthusiastic about Chile’s contrarian methodology. There's lots of talk about Bielsa being a nutter, and, how this explains Chile's unique approach. I suppose the nickname “El Loco” will tend to generate that line of chatter. But, as I’ve argued, this doesn’t do the great man justice.
Heinrich von Kleist’s famous story “The Earthquake in Chile” is set in Santiago in 1647. A young Carmelite nun named Josephe, condemned to death for becoming pregnant out of wedlock, is about to be beheaded. Across town, her lover, Jeronimo Rugera, is preparing to hang himself in the prison where he has been incarcerated. Just as the bells announcing Josephe’s imminent execution begin to toll, a gigantic earthquake strikes: We now know that it measured around 8.5 on the Richter scale, just a little less than the recent 8.8 quake.
Rembrandt’s J’Accuse Film Forum The Maid Elephant Eye Films Peter Greenaway, the British director who was educated as a painter, first came to wide attention in 1982 with The Draughtsman’s Contract, a silky comedy about seventeenth-century aristocrats. Greenaway then promptly set out not to build on this success, undertaking one eccentric film project after another. It was almost as if he were determined not to grow cumulatively, as most of the best directors have done. Of the Greenaway works that I have seen, only two of them--quite unlike each other--stand out in memory.
Beyond Belief: Islamic Excursions Among the Converted Peoples By V.S. Naipaul (Random House, 408 pp. $27.95) Some years ago, in Finding the Centre, V.S. Naipaul wrote of the impulse that sent him on the road to remote places.
TODAY CHILE IS careening, quietly and in a carefully planned way, toward the greatest political catastrophe of its history. Within the next year or so, its people will be permitted to decide by plebiscite whether or not to accept a president proposed to them by their ruling military junta.