Here’s another “movie” from Britain that without a touch of pomp or pretension seeks to ask us, “Well, why in hell do you think you know what a movie is, or has to be?” Since nearly anything could serve and function within the gloriously loose structure of The Trip, I found myself hoping that its two guys might find one of their conversations leading into a lugubrious consideration of what Terrence Malick thought The Tree of Life was really about.
Stanley Kauffmann is on temporary leave. This review was written by David Thomson. The Tree of LifeFox Searchlight The Greatest virtue of Terrence Malick’s new film may be the controversy attending it. Whatever we think of The Tree of Life as a show or a work of art, there are going to be defenders and doubters driven to join a fierce debate that turns on these questions: “Very well, in 2011, with the movies on life support, what should an ambitious American motion picture look and feel like? What should it do to us? And what do we require of this strange medium?
As we approach this weekend’s Oscars, there are two predominant takes on the Best Picture category: Either it will be a close race between James Cameron’s 3-D (and nearly 3-hour) money-mill Avatar and Kathryn Bigelow’s Iraq indie The Hurt Locker, with the latter a slight favorite (as this gambling site submits); or Bigelow’s picture already has the award in the bag.
Could there be a worse spokesman for gay rights than Sean Penn? During his acceptance speech last night, he sarcastically described Academy voters as "commie, homo-loving sons of guns." I know Penn was trying to make a joke about his own far-left politics. Still, unlike Sean Penn, most people who support gay rights do not also support communists. And communists do not generally have a good record on gay rights.
SOME YEARS AGO I SPENT A weekend in Las Vegas and enjoyed it. The bounteous vulgarity in every possible way, from displays to entertainments to phalanxes of slot machines, seemed to me exactly what it ought to be. Anything more chaste and sensible would have been out of order, a disappointment. I watch the Oscars every year, and I have more or less the same reaction: that everything is in character.