An ex-White House spokesman fact-checks the HBO comedy
Before, the joke was that the vice president had no power. Now the joke is politics itself. All of it.
I enjoyed Jonathan Van Meter's interesting profile of Julia Louis-Dreyfus in New York magazine because it manages to get at all the ways in which Louis-Dreyfus is a compelling person and first-rate comic actress. Van Meter, however, seems more than merely respectful of Louis-Dreyfus's talents. Although I am no doctor, I would describe his feelings toward her as consisting of deep, deep love. Here's hoping the two can find everlasting bliss.
America's least-favorite city is television's favorite backdrop.
How the worst job in Washington became television's favorite role
If Joe Biden really wants to get the most out of his time as vice president, he should sign a development deal instead of forming an exploratory committee. On television, the Naval Observatory is the hottest real estate since Melrose Place—far more popular, even, than that mansion over on Pennsylvania Avenue.
Selina Meyer and the problem with female characters in political comedies
Selina Meyer and the problem with female characters in political comedies.
I love politics, and I have a sense of humor, but comedic takes on politics usually leave me cold. If there’s an exception, it’s the work of the Scottish director Armando Ianucci. His 2007 film In the Loop, while full of absurdity, captured the spirit of decision-making leading up to the Iraq War, in both the U.S. and the U.K., as effectively as any journalistic account.