The Future, Not The Past
February 26, 2008
What better time to start handicapping next year's Oscar nominees than 40 hours after the conclusion of this year's broadcast? Scott Feinberg of And the Winner Is...--who like the rest of us, hasn't actually seen any of the films in question--goes through some of the likely contenders and wild-guesses that Australia, Defiance, Frost/Nixon, The Reader, and Revolutionary Road will vie for the little gold man (with The Young Victoria as an alternate). Personally, I'm pre-rooting for Charlie Kauffman's Synecdoche, New York. (via Vulture) --Christopher Orr
April 11, 2005
The decorative arts have always been art history's attractive orphans. While many people have a great affection for certain textiles or ceramics, the scholarly world embraces such objects only fitfully, as if they were really somebody else's responsibility. And much of the attention that is given to the decorative arts—in the shelter magazines, in the auction catalogues, and in specialized studies of rococo hardware or medieval ceramic tiles—has an edge about it, a feverishness that can suggest overcompensation and even overkill.
April 21, 2003
The Victorians By A.N.Wilson (W.W. Norton, 544 pp., $35) A.N. Wilson is a clever and versatile man. He is the author of a dozen novels, variable in quality, the best of which are amusing and skillfully constructed, but with an undertone of moral seriousness, lightly camp but oddly touching. He is a prolific newspaper columnist in Britain.
Hash of the Titans
March 03, 2003
"Matisse Picasso," the exhibition that has now arrived at the Museum of Modern Art after packing in the crowds at Tate Modern in London and the Grand Palais in Paris, begins as a sort of Butch Cassidy and the Sundance Kid for culture vultures, a study in male bonding in the artistic stratosphere that features the somewhat older, more formal Matisse and the younger, unabashedly bohemian Picasso. Later on, when the show really gets going, museumgoers are supposed to be agog at what amounts to a clash of the titans with avant-gardist sparks flying, a High Modernist love-hate-love kind of thing.
Into the Void
October 01, 2001
Is Daniel Libeskind destroying the museum?
September 24, 2001
Ornamentalism by David Cannadine Oxford University Press, 240 pp., $25) When Hitler wished to relax after a hard day at the office, he liked to watch films in his private screening room. Nazi propaganda movies were not his favorite entertainment; they felt too much like work. Hitler liked swashbuckling Hollywood films, and one picture in particular: Lives of a Bengal Lancer, starring Gary Cooper and C.
The Importance of Being Earnest.
March 12, 2001
Henry Wadsworth Longfellow: Poems and Other Writings edited by J.D. McClatchy (The Library of America, 854 pp., $35) With the publication of F.O. Matthiessen's hugely influential American Renaissance in 1941, the modern-day pantheon of nineteenth-century American writers was established: Emerson, Thoreau, Hawthorne, Melville, Whitman. The only other writer to be admitted into this select company has been Emily Dickinson, a recluse who published only seven poems in her own time and was virtually unknown.