Prague Winter: A Personal Story of Remembrance and War, 1937–1948 By Madeleine Albright with Bill Woodward (Harper Collins, 467 pp., $29.99) MADELEINE ALBRIGHT, née Korbel, is the first woman and the second foreign-born person to have attained to the highest-ranking Cabinet position in the American government, that of secretary of state. She is also the first East European to have served in any Cabinet position.
The Letters of Rosa Luxemburg Edited by Georg Adler, Peter Hudis, and Annelies Laschitza Translated by George Shriver (Verso, 609 pp., $39.95) Once upon a time there lived a Jewish lady, of modest stature and of a certain age, who walked with a limp and liked to sing to the birds. Through the bars on her window she would treat the titmice to a Mozart aria, and then await their call, the transcription of which she wished, as she wrote to a friend, to be the only adornment on her grave.
Literary Passports: The Making of Modernist Hebrew Fiction in Europe By Shachar M. Pinsker (Stanford University Press, 487 pp., $60) Elias Canetti, the German-language writer, born to a Bulgarian Sephardic family, who won the Nobel Prize in 1981, tells in his memoirs of his daily meetings in a Viennese café during the 1920s with a certain Dr. Sonne. A man of broad culture who radiated a quietly powerful sense of authority, Dr. Sonne was known by Canetti, somewhat to his perplexity, to be a Hebrew poet.
Now that Tom Friedman has endorsed the construction of an Islamic center at Ground Zero no one can be against it.
My old friend Samantha Power, a member of the president’s National Security Council staff, came to dinner last Sunday night after a showing of the movie Sergio, drawn from her book of the same title and directed by Greg Barton. The film is an HBO production which will air on May 6. Sergio was Sergio Vieira de Mello, the Brazilian head of the United Nations mission to Iraq who was killed in a terrorist explosion at the U.N.’s headquarters in August 2003, months after the American invasion and months before Saddam Hussein was snared in his cave of hiding.
All deaths leave a void, but mourners for Avrom Sutzkever, arguably the greatest Yiddish poet of the twentieth century, are feeling an accordingly outsize loss. Remembering the life and reading the work, one is struck once more by how genius and circumstance combine to create a means of expressing the inexpressible--and in a way that seems, considering the circumstances, almost natural.
Jewish history in the 20th century is full of might-have-beens, most of them too sorrowful to bear thinking about. The brief cultural moment that Kenneth B. Moss resurrects in Jewish Renaissance in the Russian Revolution (Harvard University Press) is one of the least known and most fascinating of those aborted futures: a two-year period when writers, artists, and activists in Russia and Ukraine believed they were midwiving the birth of a new Jewish culture.