Violette de Mazia
The worst time to see a museum is in the weeks when it’s just opening. That’s why, for the moment, I’ve opted to stay away from the Barnes Foundation’s new building in downtown Philadelphia, designed by Tod Williams and Billie Tsien. In the days before the public arrives, critics experience a totally artificial environment—a museum without museumgoers. When the doors are finally opened to the public, the mood in the galleries is likely to be so keyed up that it’s impossible to have a sense of what the place will feel like six months—or two years—later.