War Department

Spielberg's film ought to put an end to the Lost Cause mythology.

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“Can Movies Teach History?” asks the title of a recent New York Times feature article. The answer for Glory is yes. It is not only the first feature film to treat the role of black soldiers in the American Civil War; it is also the most powerful and historically accurate movie about that war ever made. If it wins a deserved popularity, it will go far to correct the distortions and romanticizations of such earlier blockbuster films as Birth of a Nation (1915) and Gone with the Wind.

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There is a new whipping boy in America today, one that has succeeded "the interests," "Wall Street," "the railroads," "socialism" and all the other time-honored favorites of politicians and public alike.

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THIS IS A TIME of storm and smoke; of darkness, as Carl Sandberg found the time of Lincoln to be. Death is in the air. So is birth. Within the body of our wartime world we can feel the life of the future stirring. Beneath the sound of the guns, we can hear its first, protesting cries. In fury, all the forces of the past are raining their blows upon it. We bear it fearfully, seeking to shield and cherish it. Yet we forget the astonishing strength of the will to live with which all forms of life come into being. We stand in shyness before the future that we carry within us.

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