Willem Bezuidenhout

Giddy-Up!

Outjo, Namibia—Growing up in Namibia in the 1980s, Willem Bezuidenhout was alone with his cowboy dream. He wallpapered his father’s house in the capital of Windhoek with posters of Hopalong Cassidy and shunned play dates to watch The War Wagon again and again in his darkened bedroom, pausing the tape to trace John Wayne’s image onto pieces of translucent paper that he pressed up to the screen. His playmates—the sons of Namibia’s white farmers, doctors, or lawyers, like his father—made fun of him. But that was before the white communities of southern Africa went crazy for country.

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