Who Are the Real Authors of 'Porgy and Bess'?
January 21, 2012
There’s a cheeky scene in Born Yesterday, George Cukor’s Americanized upending of Pygmalion,that casts light on the thinking behind the marquee at the Richard Rodgers Theatre on Broadway this season. About a third of the way into the Cukor film, William Holden, on assignment to instill class in Judy Holiday, takes her to the symphony. “What's the name of this number, did you say?” she asks him. “Beethoven’s Second Symphony, Opus Thirty-Six,” he answers. “I didn’t ask you who made it up,” she snaps back.
David Thomson on Films: Hollywood Hopeful
June 07, 2011
You feel it’s a story you’ve heard before, but that’s often the way in Los Angeles where there are more scripts than cars on the street. This happened at a cottage on Benedict Canyon, one of those roads that wind down from the crest of Mulholland Drive to Sunset Boulevard. The cottage was tucked into the hillside, overgrown with ivy, shrubberies, and bad karma. It looked like the forsaken or forgotten house in a fairy story. Over a period of time, a neighbor noticed that its delivery box was crammed with more and more junk mail. So she decided to break into the house.
TNR Film Classic: 'The Bridge on the River Kwai' (1958)
April 22, 2011
For about half the picture, the hero of The Bridge on the River Kwai is a British Colonel (Alec Guiness) whose depth of courage and sense of duty is at once touching, magnificent, and comic. Part of the success of The Bridge is that its courageous hero is shown from all angles, in all kinds of mirrors. He is strong, stubborn, fallible, maniacal, silly, and wise; and in the end he is pathetic, noble, and foolish. It is as the picture progresses that you become increasingly aware of the complexity—the pathos, the foolishness, the nobility—of the Colonel’s actions.