Alan Lomax: The Man Who Recorded the World by John Szwed This book was published the day before New Year’s Eve, 2010, and I had not yet read it when I chose my best books of that year. With empathy but no defensiveness, Szwed shows Lomax to be something more than a musical imperialist and less than the benevolent patron of American folk culture. - David Hajdu, Music Critic Ten Thousand Saints by Eleanor Henderson I was hoping to be the lone end-of-year champion for this well-received but somewhat overshadowed debut novel, but the pesky New York Times beat me to it in their ten best list. S
Memphis Shubert Theatre Million Dollar Quartet Nederlander Theatre Anyone in denial about the demise of the record business will find on Broadway these nights proof of death more conclusive than the disappearance of music stores from the malls or the elimination of DJs from radio stations. Two musicals staged this year—Memphis, which won the Tony Award for Best Musical, and Million Dollar Quartet, which is set in the same city in the same period and deals with many of the same themes—verify the extinction of the old-school music industry by showing it to exist now solely as sentimental myth.