Anne Reid

Beyond Convention
June 28, 2004

Quietly, almost politely, English film-makers have in recent years been developing a sub-genre in social heterodoxy. These films do not break convention, they ignore it completely. Two instances: Stephen Poliakoff's Close My Eyes, about a man who accepts his wife's affair with her brother; Anthony Harvey's Richard's Things, about a widow who discovers that her lately deceased husband had a mistress, seeks the mistress out in curiosity, and eventually has an affair with her.