The Music Libel Against the JewsBy Ruth HaCohen (Yale University Press, 507 pp., $55) IN NOVEMBER 1934, Privy Councilor Wilhelm Furtwängler, vice president of the Third Reich’s Music Chamber and conductor of the Berlin Philharmonic Orchestra, imprudently took to the pages of the Deutsche Allgemeine Zeitung to defend the composer Paul Hindemith against the charge of “Jewishness” with which Joseph Goebbels, the Nazi minister for propaganda and enlightenment of the people, had justified a prohibition on the performance of his work.
Kol Nidre is the most haunting prayer in the Jewish liturgy. I would gauge that more Jews attend synagogue at this moment than at any other time in the year. (You’ve already missed it if you wanted to go.) For some it may be an act of desperation, a stance between belief and non-belief, hovering somewhere between trust and trembling. In any case, it is my or your—if you had decided to try—last chance to settle accounts with God, in the heavens or with the god of your imagination.