Hans Belting Translated
Florence and Baghdad: Renaissance Art and Arab Science By Hans Belting Translated by Deborah Lucas Schneider (Belknap Press, 303 pp., $39.95) In many respects this is a bold book, first of all because of its premise: a veteran art historian dares, after half a century as an active scholar, to take another look at a classic art-historical problem—the formulation of linear perspective in fifteenth-century Florence.
The Invisible Masterpiece By Hans Belting Translated by Helen Atkins (University of Chicago Press, 480 pp., $45) Never was there more optimistic nonsense written about abstract art than in Germany after World War II. Abstraction, many artists and critics hoped, would guide the German public back to universal spiritual ideals and reconcile them with European civilization. The Germans were discovering abstract art anew after long years of National Socialist philistinism.