It was a dark Sunday—yes, yes, a black Sabbath—for lovers of music in two schools that have nothing whatsoever in common except for the fact that a pair of artists revered in their spheres, the heavy-metal singer Ronnie James Dio and the jazz pianist Hank Jones, died on the same day: May 16, 2010. I'm not suggesting an act of music-savvy gamesmanship by the Reaper, a band call to the great venue in the sky.
DAVE DOUGLAS: STRANGE LIBERATION (RCA) If this paragraph were a piece of music by Dave Douglas, it would make a summing-up statement here at the beginning, then proceed in reverse motion until it ended with an introduction of its main theme. Or it would start with a core idea and build through accretion, amassing in layers instead of progressing conventionally in any direction. Phrases would be planned exactingly to sound spontaneous, and improvised parts would take off on subtle compositional elements such as timbre. The vernacular and the formal would conjoin. You would recognize the musical