Why is this film called Rise of the Planet of the Apes? Because 20th Century Fox, the producers (including co-writer, Rick Jaffa, and Peter Chernin), and director Rupert Wyatt are thinking sequels and franchise rights. They’ll probably get their wish: After all, the Apes model as established by Charlton Heston as the rudely enslaved master race goes back 40 years now, and movie monkey business regards the extraordinary King Kong (1933) as its founding father. But the filmmaking enterprise might attend a little more closely to the eagerness for compromise in its own narrative set-up.
The other day, I was talking to another film critic about the Pirates of the Caribbean franchise. This was in the dawn before the fourth film, On Stranger Tides, had opened. My friend said he had seen the three previous films, but he couldn’t recall a single scene or incident from them. “And yet, when we see the fourth,” I suggested, “everything will seem entirely predictable and familiar from the past.” Oblivion without surprise: I suppose that’s a definition of both the experience of Alzheimer’s and our relationship with that saucy (if not over-sauced) Jack Sparrow.