Writing about his obsession with art books in a wonderful little volume published this year—Phantoms on the Bookshelves—Jacques Bonnet says that “Images send you on to other images, artists to other artists, periods come one after another or echo each other, all with their cargo of art works.” And so it is when I think back on remarkable art experienced in the year just past.
Marina Abramovic: The Artist is Present Museum of Modern Art Skin Fruit New Museum William Kentridge: Five Themes Museum of Modern Art The social history of art in our time will not be easy to write. A daunting range of factors must be taken into account. There is now a large, heterogeneous public aware that art is big business, and it is eager to follow developments in the auction houses, the commercial galleries, and art fairs such as the Armory Show in New York and Art Basel Miami Beach.
ON SATURDAY, MAY 17, 1980, Cindy Lou Hensley married Navy Captain John McCain at the First United Methodist Church on Central Avenue in Phoenix, not far from the bride’s childhood home. After the ceremony, the wedding entourage headed nearly three miles east to the Arizona Biltmore resort, a sprawling gray oasis designed by a Frank Lloyd Wright protégé in the 1920s. Guests fêted the couple in the resort’s Aztec Room, an elegant, twelve-sided banquet hall with a vaulted, gold-leaf ceiling. The 25-year-old bride seemed impervious to the desert heat.