Mabel Dodge Luhan
Hope in a Scattering Time: A Life of Christopher Lasch By Eric Miller (Eerdmans, 394 pp., $32) In a moving tribute to Christopher Lasch written shortly after his death in 1994, Dale Vree, a Catholic convert and the editor of the New Oxford Review, wrote that “Calvinism was his true theological inspiration.” Lasch was certainly not one of the faithful.
Donald Judd had his share of staunch supporters. But you are likely to meet with skeptical responses if you announce that you are captivated by his magnum opus, a composition consisting of one hundred aluminum boxes that is the linchpin of the Chinati Foundation in Marfa, Texas. Chinati is where the sculptor made a permanent home for the frequently large-scale work that interested him and some of the contemporary artists whom he admired. It has an eccentric, off-the-beaten-track kind of grandeur that rubs some people the wrong way. The austere forms that Judd (who died in 1994) arranged in and