Jim Broadbent is sixty-four; Lindsay Duncan is sixty-three. Plenty of us are in the same uneasy, open boat, but that serves to contradict one of the great canards of the film world. I am thinking of the notion that most films are made for an audience in the age range of two to eighteen. For years, we agonized over that orthodoxy, but by now it’s floating off into the deep darkness like George Clooney’s character in Gravity.
The strange scholarship on genetics and incest
There is one moment in The Monuments Men that is as sweet and pleasing as a fresh cupcake. It has a charm that is no small thing in the making of movies. Let’s not spoil the moment by spelling it out, let’s just admit that it employs someone named Clooney. I am happy to say that now, and happier still holding on to its memory, for apart from that this is one of the most dreadful, smug, and incoherent films I have ever seen, and a travesty of its many large subjects.
Critics of "The Wolf of Wall Street" may be right about the finance business, but they are confused about art.
David O. Russell's American Hustle is little bit Martin Scorsese, a little bit Preston Sturges.
Blockbuster LLC, the once-ubiquitous video rental chain, will close its remaining 300 stores in the United States and end its mail DVD rental service by January 2014, parent company Dish Network Corporation said Wednesday in a press release.
Angelina Jolie tops a poll about the most effective celebrities-turned-advocates.
You won't even notice Tom Hanks's awful Boston accent
Paul Greengrass could make the most mundane human activity—slouching in a work cubicle, napping in a hammock—feel dramatic. In the opening scene of the English director's latest frenetic film, Captain Phillips, we find the titular hero, Richard Phillips (Tom Hanks), leaning intently over a desk in his Underhill, Vermont, home—on March 28, 2009, to be exact. Phillips rifles through documents, clicks around his computer, locates his work badge, and checks his watch.
July 13, 1963
Like most autobiographical works Federico Fellini's scintillating new film 8 ½ reveals something more than its author intended. Begin with the title. It derives from the fact that, up to now, Fellini has made six full-length films and has contributed three "half" segments to anthology films. Before we step into the theater, the title tells us that he is clever, and that he sees the film as part of his personal history. It also tells us that he found himself stuck for a title.