The Two Year Window
November 09, 2011
A decade ago, a neuroscientist named Charles Nelson traveled to Bucharest to visit Romania’s infamous orphanages. There, he saw a child whose brain had swelled to the size of a basketball because of an untreated infection and a malnourished one-year-old no bigger than a newborn. But what has stayed with him ever since was the eerie quiet of the infant wards. “It would be dead silent, all of [the babies] sitting on their backs and staring at the ceiling,” says Nelson, who is now at Harvard.
Stanley Kauffmann on Films: Truths, Mostly
October 26, 2011
It takes a lot of courage to call a film Happy, Happy, and the young Norwegian director Anne Sewitsky manages to justify it. Her first feature film fixes on the very idea of happiness: what it is or is thought to be, and what happens to it. Other directors of her generation have been likewise concerned, but with Ragnhild Tronvoll’s supple screenplay, Sewitsky puts a story before us that is both recognizable and sufficiently probing. Kaja and Eirik are a young couple who live in the countryside with their son.