Star: How Warren Beatty Seduced America By Peter Biskind (Simon & Schuster, 627 pp., $30) Warren Beatty has not done a lot for us lately. Town and Country, his last movie, was nine years ago. The absence is such that some of his old associates have concluded that he may be happy at last. But I doubt that such a hope lingered more than a few seconds: Beatty’s entire act has been the epitome of dissatisfaction.
Disgrace Paladin The Other Man Image Entertainment J.M. Coetzee's novel Disgrace has been made into a film that, in good measure, is faithful to it. Along with the admiration that obviously drew them to the book, the film-makers had to deal with some heavy data. Coetzee is a Nobel laureate; Disgrace won a lofty British award called the Booker Prize; an English newspaper poll lately named Disgrace as the best novel of the last twenty-five years.
Paul Newman Stranded: I've come from a Plane That Crashed on the Mountains (Zeitgeist Films) Let the Right One In (Magnet Releasing) Three kinds of performers appear in films: actors, stars, and star actors. Some very good actors lack the looks and personality to become stars. Some stars, iconic though they may be, have just enough talent to get by. Then there are the actors who have both talent and charisma.
The Verdict Twentieth-Century Fox Blessed be pluralism. Just when you’re feeling depressed by the gargantuan success of An Officer and a Gentleman, not because it’s a wretched picture but because it’s a throwback to a pre-Vietnam social perspective that glorifies military sentimentalities—pygmy John Fordism—along comes a picture out of a contrasting social perspective, the Common Man syndrome: Frank Capra with updated language and sexual frankness.