Peter Parker

March 01, 2011

In Spider-Man: Turn off the Dark, everyone flies. Spider-Man flies, Peter Parker flies, the Green Goblin flies, the villain Arachne and her eight-legged spider minions fly, multiple Spider-Men take flight at once like spandex-clad missiles. Even schoolyard bullies are suspended in air while they pummel Peter Parker. The show is an aeronautics experiment, a circus of stunts.

Mitt Romney As Tarantino's Superman
February 07, 2008

I had one last thought about Mitt Romney that seemed worth sharing before the clock strikes twelve and he's officially yesterday's news. I was not a fan of the Kill Bill movies, but I did appreciate one scene, near the end of KB2, that displayed the genius for pop banter that had characterized Quentin Tarantino's earlier films.

The Observer as Hero
March 21, 2005

ISHERWOOD: A LIFE REVEALED By Peter Parker (Random House, 815 pp., $39.95)  “FIX” IS A WORD FOR OUR time, blunt and secretive, yet promising transformation. If the “fix” is in, don’t we all suffer because of it? When the World Series of 1919 was “fixed,” the game needed Babe Ruth in order to recover. But if we have a bad knee or a car that won’t start, it is a mercy if someone says they can “fix” it for us. That treatment—we hope—doesn’t involve a cheating fix. It must be a true case of repair or restoration.

Web Alert
December 07, 2004

When Spider-Man hit theaters in the spring of 2002, I thought it had distilled the perfect formula for cinema superheroics, a careful blend of in-costume action and out-of-costume drama, seasoned with a dash of unrequited adolescent longing and liberal portions of Tobey Maguire's insistent adorability. There was no reason to doubt that the recipe would work equally well in a sequel. Clearly, the filmmakers also felt they had found a replicable formula; they just took the idea a little more literally.