Philip Guston

Beyond Belief
February 16, 2004

I.  “TRASH” ACCORDING TO Sabine Folie, chief curator at the Kunsthalle in Vienna, “has become a transc end ental necessity.” Folie, about whom I know nothing other than her absolutely perfect name, is writing in the catalogue of “‘Dear Painter, Paint me...,’” an exhibition that recently toured Europe and included work by John Currin, the fly speck of a painter who has been stuck in many a New Yorker’s eye since his mid-career retrospective opened at the Whitney Museum in November.

The Decline of the City Mahagonny
June 25, 1990

Robert Hughes explains how New York in the 1980s is *not* Paris in the 1890s. He gives a compelling account of the decline of the fine arts in America