Red Hot Chili Peppers
On the morning of February 21, Nadezhda Tolokonnikova, Maria Alyokhina, and Ekaterina Samutsevich walked up the steps leading to the altar of Moscow’s Cathedral of Christ the Savior, shed their winter clothing, pulled colorful winter hats down over their faces, and jumped around punching and kicking for about thirty seconds. By evening, the three young women had turned it into a music video called “Punk Prayer: Holy Mother, Chase Putin Away!” which mocked the patriarch and Putin.
Sitting among Madonna’s tassel-tipped corset, a jumpsuit worn by a member of ZZ Top, and other framed memorabilia, Egyptian families wait at their empty tables in silence. A 50-inch flat-screen television overhead plays music videos of the Killers and Nine Inch Nails, while waiters weave aimlessly around the booths. As the sun dips below the Nile, a Red Hot Chili Peppers video is unceremoniously interrupted—the guitar solo replaced by a solemn, baritone voice. “In the name of Allah, the most merciful,” it begins in Arabic.