Robert Frank
Happyism
Before 2013 begins, catch up on the best of 2012. From now until the New Year, we will be re-posting some of The New Republic’s most thought-provoking pieces of the year. Enjoy. READ MORE >>
Pick A Number, Any Number
I have a dim view of the human mind's capacity for rational thought. Even so, I was struck by this old experiment, flagged by Robert Frank: READ MORE >>
Matters of Fact
The Restless Medium
Why Photography Matters as Art as Never Before By Michael Fried (Yale University Press, 409 pp., $55) I. READ MORE >>
Robert Frank, Liberal Icon
In my review about the resurgence of Ayn Rand-ism on the right, I cited an op-ed by Cornell economist Robert Frank. I called Frank's central point, that luck plays a huge role in success, "seemingly banal." It occurs to me -- I haven't heard from Frank or anybody about this point -- that that line sounded dismissive. I didn't intend it that way at all. READ MORE >>
Wealthcare
Goddess of the Market: Ayn Rand and the American Right By Jennifer Burns (Oxford University Press, 459 pp., $27.95) Ayn Rand and the World She Made By Anne C. Heller (Doubleday, 559 pp., $35) I. READ MORE >>
Adultery "offsets"
This is kind of funny--from Robert Frank's defense of carbon offsets in today's New York Times: Yet carbon offsets have drawn sharp criticism, even ridicule. A British Web site called Cheat Neutral (www.cheatneutral.com) parodies the concept — by offering a service under which someone who wants to cheat on his partner can pay someone else who will refrain from committing an act of infidelity. READ MORE >>
Jed Perl on Art: South by Southwest
Donald Judd had his share of staunch supporters. But you are likely to meet with skeptical responses if you announce that you are captivated by his magnum opus, a composition consisting of one hundred aluminum boxes that is the linchpin of the Chinati Foundation in Marfa, Texas. Chinati is where the sculptor made a permanent home for the frequently large-scale work that interested him and some of the contemporary artists whom he admired. It has an eccentric, off-the-beaten-track kind of grandeur that rubs some people the wrong way. The austere forms that Judd (who died in 1994) arranged in READ MORE >>