Police, Adjective IFC Films The Young Victoria Apparition The Romanian director Corneliu Porumboiu shows once again that, for him, film is a means of looking at an idea. The operative word is “looking.” The subtitles of Police, Adjective convey that his dialogue is reasoned and seasoned, but it rarely seems primary. Chiefly, it enhances what we are watching. Ideas are hardly a novelty in films, but some such works present their ideas visually, as do Porumboiu’s. He provides just enough plot to assure us that he hasn’t forgotten about it.