My Son, The Doctor
September 05, 2005
The saga of Jews and medicine.
September 05, 2005
Can any governor succeed in California?
August 15, 2005
Last fall, a Bush-bashing ad in The New York Times included among its signatories the name of Norman Pattiz, the celebrated creator of Radio Sawa, a radio network fashioned to win hearts and minds in the Muslim world. This year, some say as a result of the ad, Pattiz has found himself battling for his seat on the Broadcasting Board of Governors (BBG), an independent government commission that oversees the Voice of America (VOA), Radio Free Europe/ Radio Free Liberty, and Radio Sawa and its sister TV network, Alhurra.
The Bookless Future
May 02, 2005
What the Internet is doing to scholarship.
February 08, 2005
First time tragedy, second time farce. Fifth time? Judging from Takashi Shimizu's The Grudge, by then you know what you're doing. The Japanese director has essentially been recycling the same eerie ghost story since 2000, first in two installments made for Japan's video market (entitled Ju-On and Ju-On 2), then in two theatrical-release remakes (Ju-On: The Grudge and Ju-On: The Grudge 2), and now in a Hollywood-produced English-language version, The Grudge, just released on video.
January 25, 2005
One of the most emotionally affecting moments of Sky Captain and the World of Tomorrow comes, unfortunately, during the closing credits, when jazz vocalist Jane Monheit sings "Over the Rainbow." It's a wistful, haunting rendition that plays beautifully off Judy Garland's Wizard of Oz version, becoming at once old and new, an homage and an original. It's this challenge, of simultaneously conjuring the classics and offering something fresh and vital, that largely eludes Sky Captain, released on video today.
January 18, 2005
The Hong Kong crime thriller Infernal Affairs begins with a Buddhist epigram, though not a particularly memorable one (something about "Continuous Hell" being the worst of the eight hells).
December 07, 2004
When Spider-Man hit theaters in the spring of 2002, I thought it had distilled the perfect formula for cinema superheroics, a careful blend of in-costume action and out-of-costume drama, seasoned with a dash of unrequited adolescent longing and liberal portions of Tobey Maguire's insistent adorability. There was no reason to doubt that the recipe would work equally well in a sequel. Clearly, the filmmakers also felt they had found a replicable formula; they just took the idea a little more literally.
A Tale of Two Movies
November 30, 2004
Quentin Tarantino may have found his future vocation. His once shining career as a director clouded over a tad when Jackie Brown revealed his insistence on casting B-movie stars of the 1970s and his unwillingness to edit his work to a manageable length. The Kill Bill movies confirmed both directorial tendencies while also raising questions about whether Tarantino still knows how to write a screenplay. But now, with Hero, the door may have opened onto a new career path: impresario. "Quentin Tarantino Presents," the box cover of the Chinese kung fu epic announces in large type above the title.
November 02, 2004
It's not often a television show can make you reconsider the talents of a longtime celebrity. "Arrested Development," the nearly cancelled FOX sitcom whose first season is now out on video, has made me reconsider the talents of two: Ron Howard (whom I'd written off as a purveyor of tame commercial pabulum) and Liza Minnelli (probably best if I not detail my objections). Their mere involvement with "Arrested Development"--Howard as executive producer and folksy narrator, Minelli as a self-parodic supporting character--suggests I may have given neither adequate credit.