Not long ago, I wrote in this space about the discouraging fact that no Ohio newspapers had taken the minimal time needed to uncover the FBI’s investigation I stumbled across into highly suspect campaign contributions from employees of a Canton company to a Republican congressman and Senate candidate in Ohio.
Just after dawn on a cool morning in September 2008, two FBI agents and a police officer walked into the Bellagio Casino in Las Vegas and took the security elevator up to the twenty-third floor, where they knocked on the door of a high-roller haven known as the Grand Lakeview Suite. A Minnesota businessman named Tom Petters answered wrapped in a bathrobe. After a moment’s hesitation, he invited them in.
Twice in two years (once in 2007 and a second time in 2008), The New York Times puts its mantle of approval on Tariq Ramadan who almost everybody on the Upper West Side saw as an innocent victim of dictatorship because the Bush administration had barred him, under provisions of the Patriot Act, from entering the United States.
“Can Movies Teach History?” asks the title of a recent New York Times feature article. The answer for Glory is yes. It is not only the first feature film to treat the role of black soldiers in the American Civil War; it is also the most powerful and historically accurate movie about that war ever made. If it wins a deserved popularity, it will go far to correct the distortions and romanticizations of such earlier blockbuster films as Birth of a Nation (1915) and Gone with the Wind.