Tucson
Self-Organizing the Sun Corridor
Regionalism is too often thought to require government initiative. As a result, progress is associated with full-on structural reform--and so the controversy (and usually frustration) begins. READ MORE >>
Death Grip
In June 2004, I went door to door in a white, working- class neighborhood of Martinsburg, West Virginia, a small blue-collar town in decline. There, I found voters disillusioned with both the Iraq war and the flagging economy. But, when I returned five months later-- the Sunday before the election--I had difficulty digging up anyone who didn't plan to vote for George W. Bush. READ MORE >>
Border Wars
A battered yellow school bus rumbles up a bumpy dirt road on the outskirts of Sasabe, a small Mexican town just over the border from Arizona. At the top of the hill, the bus winds around brick and mud huts. Ragged children stand in the doorways, and emaciated dogs forage for scraps. The bus passes dented pickups and old cars without wheels and stops in a dusty clearing, where it disgorges about 40 teenagers dressed in blue jeans and carrying small knapsacks. One boy’s t-shirt features a picture of Che Guevara. A girl’s pale blue top says ADORABLE in sequined letters. READ MORE >>
Border War
Hardness
Dirty SnowBy Georges Simenon Translated by Marc Romano and Louise Varse (New York Review Books, 257 pp., $14) Three Bedrooms in Manhattan By Georges Simenon Translated by Marc Romano and Lawrence G. Blochman (New York Review Books, 158 pp., $12.95) Monsieur Monde Vanishes By Georges Simenon Translated by Jean Stewart (New York Review Books, 174 pp., $12.95) READ MORE >>
Jed Perl on Art: South by Southwest
Donald Judd had his share of staunch supporters. But you are likely to meet with skeptical responses if you announce that you are captivated by his magnum opus, a composition consisting of one hundred aluminum boxes that is the linchpin of the Chinati Foundation in Marfa, Texas. Chinati is where the sculptor made a permanent home for the frequently large-scale work that interested him and some of the contemporary artists whom he admired. It has an eccentric, off-the-beaten-track kind of grandeur that rubs some people the wrong way. The austere forms that Judd (who died in 1994) arranged in READ MORE >>
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