The Steins Collect Metropolitan Museum of Art Van Gogh: Up Close Philadelphia Museum of Art Van Gogh: The Life By Steven Naifeh and Gregory White Smith (Random House, 953 pp., $40) Nobody in the history of culture has known more about the art of persuasion than the avant-garde painters, sculptors, writers, composers, choreographers, and impresarios who transformed European art from the end of the nineteenth century to the middle of the twentieth century.
Painters have long attracted film-makers for reasons too obvious to explore. Rembrandt, Vermeer, Van Gogh, Michelangelo are only a few who have served their workaday turn on the screen. Now comes a considerable difference, itself in the hands of an eminent artist. Lech Majewski is a Polish film, theater, and opera director recognized widely for his startling and enriching imagination. He is much taken with the paintings of Pieter Bruegel, and his film The Mill and the Cross is his response to two Bruegel gems.
There were wonders to be discovered in New York on a recent cold, clear, brilliant December day. Eykyn Maclean, an elegant new gallery with space on two floors of a narrow building on East 67th Street, had mounted an exhibition of work by Alberto Giacometti.
Chagall and the Artists of the Russian Jewish Theater Jewish Museum Mystic Masque: Semblance and Reality In Georges Rouault McMullen Museum I. THE WHEEL OF fashion, which turned Marc Chagall and Georges Rouault into has-beens a few decades ago, is turning again. These two misunderstood moderns are being taken seriously. The rise of identity politics in the intellectual world has certainly played a part.
The Language of Forms: Lectures on Insular Manuscript Art By Meyer Schapiro (Pierpont Morgan Library) Romanesque Architectural Sculpture By Meyer Schapiro (University of Chicago Press) I. When Meyer Schapiro died ten years ago, at the age of ninety-one, he had a place in American intellectual life that was extraordinarily large and also rather mysterious. Quite a few of the people who mentioned his name with a quickening excitement, a catch in their voices, had probably not read a single one of the exacting essays about medieval art on which his scholarly reputation rested.
I. Picture books are the first books that any of us know. Before we can decode words or even letters, we are clutching their covers and awkwardly turning their pages. These books are our introduction to the mysteries of metaphor, to a combination of paper and printer's ink that can take us anywhere, reveal anything, whether fact or fiction or some mix of the two. You might say that picture books, even when we are too young actually to read them, are our primal reading experiences.
"Thomas Eakins: American Realist," at the Philadelphia Museum of Art, is a blandly celebratory event.