The Book That Brought Good Sex Writing to the Masses
August 11, 2014
Lady Chatterley, D.H. Lawrence, and Edmund Wilson's circular review
On Her Birthday, In Praise of Edith Wharton's Acerbic Pen
January 24, 2014
She was rich as sin, but didn't let that stop her from ripping apart the upper class.
Georgia O'Keefe Outblazed Other Female Painters of Her Time
November 15, 2013
An early look at one of America's most beloved painters.
Edgar Allan Poe Was More Than a "Freak" and a "Drunk"
October 07, 2013
The recent revival of interest in Poe has brought to light a good deal of new information about him and supplied us for the first time with a serious interpretation of his personal career, but it has so far entirely failed to explain why we should st
August 21, 2013
Seventy-three years ago, on August 21, 1940, the Russian revolutionary leader Leon Trotsky died after an undercover NKVD agent attacked him with an ice axe. In this 1933 essay, Edmund Wilson discusses Trotsky's literary tendencies and his historical
From the Stacks: “Ulysses”
August 16, 2013
On August 16, 1922, Virginia Woolf penned a passage in her diary panning James Joyce's Ulysses. But New Republic editor Edmund Wilson would have disagreed with her—he, instead, praised it as a "work of high genius." In memoriam of Woolf's legendary take-down, a reprint of Wilson's original review.
TNR Film Classics: 'The Gold Rush' and 'The Freshman' (1925)
September 02, 2011
It was asserted by the present critic, when The Gold Rush appeared last August, that the comedy of the moving pictures had come to be dominated by the school of Harold Lloyd and Buster Keaton, the exploitation of comic tricks or gags. And I prophesied that Chaplin, with his finer comedy and his less spectacular farce, would not be able to hold his popularity against it. What has happened is precisely the reverse of what I predicted. The Gold Rush has had a great success; and, so far from playing Chaplin off the screen, Buster Keaton and Harold Lloyd have taken to imitating him.