Herbert Muschamp

American Gothic

How the eclectic hodgepodge saved Modernism.

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Prince Charles's war against Modern architecture.

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“Did you see the gas vans?” Claude Lanzmann asks Mrs. Michelsohn, an old German woman, in his film Shoah. Mrs. Michelsohn lived in Chelmno, 50 yards from the spot where Jews were loaded onto the vans at the Nazi extermination center. “No,” she answers at first, with a look of annoyance. Then her face registers the recognition that Lanzmann and his movie cameras will not be deflected. “Yes,” she acknowledges, she saw the vans, “from the outside. They shuttled back and forth. I never looked inside; I didn’t see the Jews in them.

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