Treeless Mountain Oscilloscope Laboratories Il Divo Music Box Films CHILDREN DEEPEN ONE of the mysteries in film’s being. It is mysterious enough that, since film’s beginning, non-professional adults have given valuable film performances. Still, one can spin social and cultural explanations for this astonishment. But what about the performances by small children, children who were not child stars and who convinced millions? The list is too long to nibble at. How can we explain them? How can we understand the mystery? Some technical facts apply to children as well as adults.
From “Album of My Germany” Our German trip was coming to an end. I reserved the last afternoon in Berlin to visit a place I wanted Laura to see. I had seen it in 1967 and had dreamed of it since. It was a Catholic church in an outlying district, Charlottenburg. Maria Regina Martyrum stands near Plotzensee, the prison where many had been executed during the Hitler years and where, in August 1944, the eight German officers found chiefly guilty in the July plot against Hitler were hanged.
Defiance Paramount Of Time and the City Strand Releasing EDWARD ZWICK’S FILM Defiance is based on Nechama Tec’s book of the same title. Tec told a wondrous factual story of World War II, a history so close to incredible that it is awesome. In Belarus in 1941, two young Jewish brothers named Bielski organized a life-saving mission for Jews that, after much hazard and suffering, rescued twelve hundred lives from the Holocaust. The principal means of salvation was the immense forests of the region.
A Christmas Tale -- IFC Films Wendy and Lucy -- Oscilloscope Pictures Every director needs at least some courage, but Arnaud Desplechin has quite a lot. With his new film, A Christmas Tale, he bravely took on a trite form, hoping that he could vitalize it. He succeeds. He also gave the picture a title that risks the corny, apparently sure that it would come to seem ironic. Eventually it even transcends irony. Born in Roubaix, an industrial city in northern France, Desplechin, with coauthor Emmanuel Bourdieu, sets his story there.
One Day You'll Understand Kino International Dear Zachary: A Letter to A Son About His Father Oscilloscope Pictures Jeanne Moreau has reigned in French films since 1950, sensual, brainy, wryly dangerous, free. She was a woman whom men sometimes didn't dare to fantasize about, and for some women she figured as an agent of reprisal. All these qualities were heightened by her talent and technique. (Before she entered films, she was schooled in the theater, an ingénue at the Comédie Française.) But time has had its way with Jeanne Moreau, too, and now she appears as a grandmother.
Paul Newman Stranded: I've come from a Plane That Crashed on the Mountains (Zeitgeist Films) Let the Right One In (Magnet Releasing) Three kinds of performers appear in films: actors, stars, and star actors. Some very good actors lack the looks and personality to become stars. Some stars, iconic though they may be, have just enough talent to get by. Then there are the actors who have both talent and charisma.
Ballast (Alluvial Film Company) Elite Squad (IFC Films) Still another extraordinary new American director comes along--the third in just a few months. After Courtney Hunt with Frozen River and Chris Eska with Autumn Evening, here is Lance Hammer with Ballast. Though these three directors have little in common stylistically, all three of their films deal with working-class people. Hammer's film, which he also wrote and edited, is his first feature. Set in the Mississippi Delta, its three principal characters are black, yet the first person we see is white.
Vicky Cristina Barcelona (Metro Goldwyn Mayer and the Weinstein Company) A Secret (Strand Releasing) Two young American women, Vicky and Cristina, go to spend a summer in Barcelona. Dining one night in a restaurant, they see a good-looking man across the room. Soon the man, a Spanish painter fluent in English, comes over to their table, says that he is about to fly to Oviedo to look at a favorite sculpture there, and invites them to come with him. To their own surprise, they accept.
Savage Grace (IFC) Sangre de Mi Sangre (IFC) The Battle for Haditha (DreamMachine) Rich people are the center of Savage Grace. This is not only a fact, it is the mode of the film's being. From first moment to last, the film breathes the attar of richesse. The rooms designed by Victor Molero, the costumes by Gabriela Salaverri, the lapping of them by Juanmi Azpiroz's camera--all these confirm that we are leagues above any pleasure-limiting care. This is not a historical film where extravagance is expected: Savage Grace begins in New York in 1946 and continues through a couple of decades.
Heartbeat Detector (New Yorker) Love Songs (IFC) Sputnik Mania (IFC) The French director Nicolas Klotz proves—not for the first time in film history—that a picture may be a bit of a jumble yet fascinating. Klotz's Heartbeat Detector, written by Elisabeth Perceval from a novel by Francois Emmanuel, begins as an up-to-date story about Simon Kessler, a smart young psychologist employed by the Paris branch of a Franco-German company. His job is to judge job applicants and to keep tabs on the mental status of the staff.