Beyond the Line
June 11, 2010
In early April, silly flags were already flapping all around Beirut. A non-resident would think that dignitaries from the entire United Nations were about to make an appearance, adding a touch of color to our city. According to numerous sources, the flags had sprouted much earlier. As early as January, my sister made sure to tell me. I don’t think any earlier than that, my mother said. People were too busy with Christmas and New Years, and in 2009, Ashura, the Shiite holiday fell at the same time—far too much going on for anyone to concentrate.
Latino Immigration and U.S. Soccer
June 10, 2010
Practically all the U.S. stars—Landon Donovan, Jozy Altidore, "Oguchi" Onyewu, and Tim Howard—are the children of immigrants or immigrants themselves. But—despite an ever growing tide of immigration from soccer-frenzied Latin America, Hispanic representation on the national side has not kept pace. In fact, many have noted that at times it seems like things have been going in reverse, with the number of Hispanic players actually shrinking—from five when the cup was played on U.S.
England vs. USA
June 08, 2010
As someone who, like Luke, grew up in England and now thinks of himself as an American, I can sympathize with his decision not to watch on Saturday, out of a feeling that there's just Too Much There. I also strongly agree that America is awesome. People have an attitude of openness to possibilities, and to improving their lives, that you don't find anywhere else. There's less cynicism and poorly-disguised jealousy when good things happen to someone else. American girls are more interested than are English girls in English men—and some even play soccer.
Helen Thomas And The Rights Of Abhorrent Speech
June 07, 2010
A few years ago, I wrote about the absurdity of Helen Thomas's image as a paragon of journalistic integrity and the toughest member of the White House press corps. She made her name by being willing to endure the tedium of the stenographic role of the White House press far longer than any sentient reporter could bear.
The New Vulnerability
June 07, 2010
Cyber War: The Next Threat to National Security and What to Do About It By Richard A. Clarke and Robert K.
May 30, 2010
On the surface, it seems as if tomorrow's Egyptian elections will be a dreary formality. Although the official campaigning period for the Shura Council, Egypt’s upper house of parliament, has been going for two weeks, the streets of Cairo are noticeably silent. The only overt evidence of political gamesmanship is the paraphernalia of the ruling party’s candidates plastered in the city’s central squares. Campaigns here tend to be lackluster because they don't usually matter.
The Wrong Euro-Villains
May 21, 2010
Steven Pearlstein has a good column today explaining that Germany, not Greece, is Europe's real problem: While European governments surely have long-term structural budget problems, the immediate fiscal challenge comes from the decline in tax revenues and the increase in transfer payments that result from slow growth and high unemployment. The right policy response to that -- along with the very real threat of price deflation in Europe -- isn't to put the entire continent in a fiscal straitjacket that makes the recession even worse.
May 18, 2010
This early in the twenty-first century, the rulers of the Catholic Church have suffered an earthquake of crumbling credibility. Nearly ten years ago, with the initial revelations about sexual abuse of the young by priests, some argued that the problem was limited in time and place, since most of the abuse cases had occurred 30 or 40 years before, and they took place in the United States. There was hope that an investigative and reformist effort would restore the U.S. Church’s authority.
The Prisoner Intellectuals
May 05, 2010
The key to understanding radical Islam and Communism? Prison culture.
April 21, 2010
Everyone Else (Cinema Group) Nobody's Perfect (Lorber Films) It would be a stretch to call Everyone Else a postmodernist work, but it is hard to imagine its existence if postmodernism had not preceded it. The closing sequence does have a climactic tone, but in the main Ade strives, as do so many contemporary artists, to avoid the “arrangement” of life. She wants the story to seem as if it merely occurred and she happened to be around to observe it. Her film cannot have the beat and pleasure of structure that a Bergman film gives us: we get instead a newly empowered eavesdropping.