In a 1999 article in The New Republic, the eminent philosopher Martha Nussbaum raised the issue of the indifference of American feminism to sexual bigotry outside the United States.
Two years ago in a Denver courtroom, when we last encountered the anti-gay rights case Evans v. Romer, Professors Martha Nussbaum of Brown and Robert George of Princeton were wrangling about the proper translation of tolmema, Plato's adjective for homosexuality. Nussbaum said "deed of daring"; George preferred "abomination." (See "Sodom and Demurrer," TNR, November 29, 1993.) In its journey up to the Supreme Court, however, the case has been transformed from one about the definition of homosexuality to one about constitutional limitations on plebiscitary democracy.
Courtroom Three, on the second floor of the Denver City and County Building, is a neoclassical jewel, with its mustard walls and gray Vermont marble and polished oak backboard. It is a platonic ideal of a courtroom, which is perhaps why Viacom commandeered it in the mid-1980s to film several episodes of the new "Perry Mason." At the producers' behest, local architects installed a pair of ornate, but scarcely functional, beaux arts chandeliers; and their dim orange glow makes it hard for the judge to see the witnesses without squinting.