November 30, 2010
How, I asked my husband as much in disbelief as in indignation, do the guards at the Louvre allow this? I wasn't referring to the hordes of chattering tourists of all description who, when they visit the museum, apparently think it is a good idea to press and elbow and jostle against one another in order to get into position to snap a picture—blinding flashes from every direction—of the long-suffering, overexposed Mona Lisa.
The Mystic Smile
July 22, 2002
Becoming Mona Lisa: The Making of a Global Icon by Donald Sassoon (Harcourt, 337 pp., $30) One of the most extraordinary but least remarked upon features of paintings and sculptures is their persistence as actual, physical objects from other times and places.