Moses Mendelssohn

Love and Death
June 09, 2011

The Letters of Rosa Luxemburg Edited by Georg Adler, Peter Hudis, and Annelies Laschitza Translated by George Shriver (Verso, 609 pp., $39.95) Once upon a time there lived a Jewish lady, of modest stature and of a certain age, who walked with a limp and liked to sing to the birds. Through the bars on her window she would treat the titmice to a Mozart aria, and then await their call, the transcription of which she wished, as she wrote to a friend, to be the only adornment on her grave.

The Freedom of the Café
June 09, 2011

Literary Passports: The Making of Modernist Hebrew Fiction in Europe By Shachar M. Pinsker (Stanford University Press, 487 pp., $60) Elias Canetti, the German-language writer, born to a Bulgarian Sephardic family, who won the Nobel Prize in 1981, tells in his memoirs of his daily meetings in a Viennese café during the 1920s with a certain Dr. Sonne. A man of broad culture who radiated a quietly powerful sense of authority, Dr. Sonne was known by Canetti, somewhat to his perplexity, to be a Hebrew poet.

Faces and Faiths
July 27, 2010

Is there any more eloquent or definitive evidence of human individuality, of human dignity, than the face? My face shows that I am unlike you, that I am myself; and in this beautiful incommensurability we establish solidarity with each other, because your face also looks only like itself, only like you.The hiddenness of the face—the Divine face, too—is commonly regarded as a curse or a punishment, and its revelation as an epiphany.

Money and Soul
January 12, 2004

The PatronA Life of Salman Schocken,1877-1959By Anthony David(Metropolitan Books, 451 pp., $ 30)For a year in the early 1960s, not long after finishing college, I had a job working for Schocken Books, a small publishing house in New York. Actually, "small" is something of an overstatement. Schocken consisted at the time of four people working in a two-room apartment on 38th Street and Park Avenue: the editor-in-chief Herzl Rome, two secretaries, and the editorial staff, which was me.

Into the Void
October 01, 2001

Is Daniel Libeskind destroying the museum?