Romney Plays Reagan — And Does Well Enough
October 23, 2012
The candidates spent almost no time debating the substance of foreign policy.
After Abbottabad: Navy SEALs and American Security
October 19, 2012
What's next for Navy's SEAL Team Six?
Genocide and the Fine Arts
April 20, 2012
The Patagonian Hare: A Memoir By Claude Lanzmann Translated by Frank Wynne (Farrar, Straus and Giroux, 528 pp., $35) I. The film called Shoah runs for more than nine and a half hours. Its subject is the extermination of Europe’s Jews by the Nazis. It features Jewish survivors of the death camps, Poles who lived near the camps, and Germans who organized and ran them—and also its director, Claude Lanzmann, in the background, with his various interpreters. The languages in which these people speak include Yiddish, Hebrew, English, German, Polish, and French: a sound file of Europe.
North Korea Barred Its Doors to Capitalism. Now It Needs the U.S. to Feed Its People.
March 02, 2012
There is a temptation to think of the two Koreas as twins. But certainly not identical twins. After Japan surrendered to the United States and the Soviet Union in August 1945 (the Soviets had only been in the war for days … really just for days!), battered Tokyo relinquished the peninsula it had seized and brutalized from 1910 onwards. Korea had gone through nearly a half century of both imperialism and colonialism, quite different manifestations of similar instincts, and was left again as a captive nation. With a difference, of course.
Stanley Kauffmann on Films: Troubled Worlds
January 25, 2012
The Front Line Norwegian Wood Khodorkovsky It used to be said that, paradoxically, a war film, even if its intent was anti-war, unavoidably conveyed excitements that were attractive. This paradox has seemed in recent years to be dwindling. For prime instance, Clint Eastwood’s companion films Flags of Our Fathers and Letters from Iwo Jima were as bareboned and glory-free (yet appreciative) as possible. Generalizations are risky in this vast genre, but at least some relatively recent war films have tried to be unseductive. Such is The Front Line from South Korea.
The True Lies of Totalitarian North Korea
January 25, 2012
When the videos of North Koreans weeping hysterically in the streets of Pyongyang circulated on YouTube last month in the wake of Kim Jong-il’s death, few Western onlookers knew what to make of them. Most of us seem to have assumed that the tears were fake, produced on command—an interpretation backed up by one of the best books recently to appear on the subject of North Korea, Barbara Demick’s Nothing to Envy, which describes manufactured public grief in 1994 after Kim Il-sung’s death.
Is Freedom Of The Press Coming To North Korea?
January 16, 2012
In a ceremony today in Pyongyang, the Associated Press opened a full news bureau to cover North Korea. The AP already has had a video bureau in North Korea since 2006; the new outfit will add writers and photojournalists to its operations in the notoriously-sealed off dictatorship. Does the AP’s new operation signal an expansion of press freedom in North Korea? Various reports on North Korea’s oppressive media policies make optimism difficult.
Why We Need Détente With North Korea
January 14, 2012
Whatever Kim Jong-Il’s death meant for the people of North Korea, it did not change the fundamental strategic interest that the United States has in the country. The paramount issue for Washington remains assuring that Pyongyang never uses its nuclear arsenal, and that it never leaks or gifts its weapons material and technology to other nations or terrorists. But if Washington’s basic strategic posture remains, it should consider revising its current non-proliferation policies in the wake of Pyongyang’s change of leadership.
So You Want To Preserve A Dictator's Corpse
January 13, 2012
North Korea announced yesterday that the corpse of former dictator Kim Jong-il will be placed on permanent display in Pyongyang. This seems to be standard practice for Communist nations—after all, Stalin, Ho Chi Minh, and Mao were all embalmed and set out for public display after their deaths, and Kim Jong-il’s body will be displayed in the same sprawling mausoleum as his father’s body. But how do they maintain the most famous preserved corpse of them all—the body of Lenin? A 2010 book offers some helpful information.
Not Fade Away
January 11, 2012
Before 2013 begins, catch up on the best of 2012. From now until the New Year, we will be re-posting some of The New Republic’s most thought-provoking pieces of the year.