Yale University Press
Charles Dickens Michael Slater Yale University Press, 696 pp., $35 I. For a long time, everyone has known that Paris was the capital of the nineteenth century, the city where the modern was invented: the society of the spectacular. But everyone was wrong. The capital of the nineteenth century was London. Think about it. Walter Benjamin’s symbol of the Parisian modern was the arcade. The arcade! In London-according to the social campaigner Henry Mayhew, there were 300,000 dustbins, 300,000 cesspools, and three million chimneys.
Are representations of the Prophet Muhammad permitted in Islam? To make or not to make images of the Prophet: that is the question I will try to answer. It is an unexpectedly burning question, as the newspapers regularly demonstrate. But both the answer to the question and the reasons for raising it require a broader introduction. There have been many times in recent years when one bemoaned the explosion of media that have provided public forums for so much incompetence and ignorance, not to speak of prejudice. Matters became worse after September 11, for two additional reasons.
Why Photography Matters as Art as Never Before By Michael Fried (Yale University Press, 409 pp., $55) I. Michael Fried,who shot to intellectual stardom in 1967 with an essay in Artforum called "Art and Objecthood," is an intimidating writer. He looks very closely. He has passionate feelings about what he sees. And he shapes his impressions into a theory that fits snugly with all the other theories he has ever had. Whatever his chosen subject--Diderot, Courbet, Manet, Kenneth Noland--he comes up with an interpretation that is as smoothly and tightly constructed as a stainless-steel box.
In 1943, the Polish poet Czeslaw Milosz, who was living in Nazi-occupied Warsaw, wrote “Campo dei Fiori,” his great poem about the coexistence of normality and atrocity. The Campo dei Fiori is the plaza in Rome where, in the year 1600, the heretical philosopher Giordano Bruno was burned alive by the Catholic Church; “before the flames had died,” Milosz writes, “the taverns were full again.” The same willed blindness could be noted in Warsaw, the poem declares.
Spies: The Rise and Fall of the KGB in America By John Earl Haynes, Harvey Klehr, and Alexander Vassiliev (Yale University Press, 637 pp., $35) If one were trying to define the lowest point in the long and venerable tradition of American anti-communism, surely it came in 2003, with the publication of Ann Coulter's Treason.
Rhythms of Life: The Biological Clocks that Control the Daily Lives of Every Living Thing By Russell G. Foster and Leon Kreitzman (Yale University Press, 276 pp., $19) Man has invented many ways to measure physical time, from ancient sundials to water and sand clocks, from the pendulum to the wind-up pocket watch, all the way to the modern atomic clock. An example of this latter-day timekeeper, introduced in 1950, measures a second as 9,192,631,770 cycles in the energy radiation of the Caesium atom.
The Invention of Scotland: Myth and History By Hugh Trevor-Roper (Yale University Press, 282 pp., $30) Hugh Trevor-Roper seemed to be an Oxford don supplied by central casting. An erect Northumbrian with a distinctly patrician air, he commanded a grandee position impregnably within the Establishment.
Scrapbooks: An American HistoryBy Jessica Helfand (Yale University Press, 244 pp., $45) Mark Twain had one. So did Anne Sexton, Lillian Hellman, Harry Wolfson of Harvard, and little Hattie Briggs of rural Michigan. I also had one, and I suspect that you did, too. I am referring to the scrapbook--that odd assemblage of memorabilia and mucilage that once ruled the roost when it came to recording the details of one's life and one's sentimental education.
Alfred Kazin: A Biography By Richard M. Cook (Yale University Press, 452 pp., $35) I. Alfred Kazin had one great, abiding subject. He wanted to tell the world what it felt like to become a writer in mid-century America. In three autobiographical volumes published over a period of a quartercentury, he dug so deep into his own life story, which had begun in hardscrabble Brooklyn and climaxed in the glamorous Manhattan of the 1960s, that he managed to tell the story of an entire generation.
The Origins of Reasonable Doubt: Theological Roots of the Criminal Trial By James Q. Whitman (Yale University Press, 276 pp., $40) I. To be convicted of a crime in our courts, a defendant must be proved guilty beyond a reasonable doubt. This rule is both fundamental to the criminal justice system of the United States and uncontroversial.