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Go Home Is Donald Trump a Demagogue?

POLITICS MAY 7, 2011

Is Donald Trump a Demagogue?

Unless you live under a rock, you know Donald Trump is thinking about running for president. His sensational public endeavors—pushing the White House to release President Obama’s long-form birth certificate and, most recently, questioning the authenticity of the president’s academic record—have met with astonishment, outrage, and dismay. A recent Bloomberg BusinessWeek cover featured a photo of Trump in mid-rant with the one-word headline, “Seriously?” Journalists, commentators, and even Jerry Seinfeld (who recently canceled an appearance at a Trump fundraiser) have taken to calling Trump a demagogue.

In recent decades, this powerful term, traditionally a scalpel for taking apart dangerous leaders, has become blunt and ineffectual through overuse. I’ve been thinking and writing about demagogues for a decade. I’ve been watching with a mix of bemusement and concern as Trump strains to elevate himself into an actual political figure, rather than the ego tornado he’s been for decades. But one of the lessons of history is that, while it’s easy to underestimate demagogues, it’s also easy to overestimate them. For the time being, I’ve concluded that Trump is not a demagogue. He lacks both the common connection and the lawlessness of classic demagogues, whether Venezuela’s Hugo Chavez today or, in the past, figures ranging from Benito Mussolini to George Wallace to Joseph McCarthy. Instead, call him a quasi-demagogue: a political figure with the desire, but not the chops, to manipulate the masses. 

 

Demagogues are part of the natural life cycle of democracy. So much so that the Founding Fathers designed our various checks and balances and circuit-breakers in part from their mortal terror that a predatory mass leader—a demagogue—would convert popular adulation into American tyranny. James Madison, for instance, explained that “provisions against the measures of an interested majority,”such as an independent judiciary, were required to control “the followers of different Demagogues.” This doesn’t mean, however, that demagogues haven’t popped up throughout the country’s history.

During my years studying and watching demagogues, the one lesson that has stuck with me is this: Many politicians could become demagogues if they wanted to. They could choose the gross emotional appeal, the naked ambition, and the cunning blend of vulgarity and artistry that is the true demagogue’s métier. They don’t because most of them are governed by an ethic of shame. Where others blush and quail, the demagogue happily blusters ahead—crossing boundaries, coloring outside lines, toppling walls. 

Demagogues often look most ridiculous to the people they’re most uninterested in impressing. When the colorful, autocratic Louisiana Governor Huey Long was sworn into the U.S. Senate in 1931, it was precisely his clownishness that gave him such political amplitude. He prompted a firestorm of controversy when he met a German naval commander paying an official call in a pair of green silk pajamas and a bathrobe. One scholar writes, “[T]he lesson he learned from the incident was less the importance of diplomatic niceties than the value of buffoonery in winning national publicity.” With these techniques, Long soon attracted more attention from the press than his 99 Senatorial colleagues combined. He would have challenged FDR for president in 1936, had he not been assassinated by the son of a political opponent in 1935.

You might think that Trump’s own clownishness puts him in the class of a Huey Long. But let’s take a closer look. As I argued in my book Demagogue: The Fight to Save Democracy from Its Worst Enemies, a true demagogue meets four tests. First, he presents himself as a man of the people, rather than the elites. Second, he strikes a very strong, even overpowering emotional connection with the people. Third, he uses this connection for his own political benefit. Fourth, he threatens or breaks established rules of governance. This fourth test is the most important, distinguishing a demagogue like Huey Long (who routinely used the National Guard to intimidate or brutalize political opponents, for instance) from populists like William Jennings Bryan (who, as rambunctious as he may have been, tended to play by the rules).

For Trump, let’s take the four tests in turn. With his Theater of the Absurd hairdo and his massively knotted silk ties, his Manhattan address and his glitzy brand, Trump is hardly a man of the people. True, he’s employing incautious bluster as a proxy for common appeal. “Authenticity” has become the coin of today’s reality-television realm, and there is a mass appeal to his straight-talkin’ persona—this is why his recent use of the “f bomb” plays to his curious political strengths, even while appalling elites. But for Trump to swap his fancy persona for that of a commoner would require him to blow up the brand he’s spent decades building, a task for which he is probably not constitutionally capable.

Second, Trump does not have the broad emotional appeal to the masses that marks the classic demagogue. Over the last decades, Trump has enjoyed billions of dollars of both paid and earned media exposure. He couldn’t be better-known by the American people. Yet he is consistently polling under 20 percent right now among Republicans and right-leaning independents (a recent CNN poll has him at only 14 percent), giving him a base of well under one in ten among the general voting population. The emotional surge for Trump among the very hard-core Tea Party right should certainly be noted. But it’s more likely this brushfire halts at a particular firebreak: the general American public’s hostility and suspicion to the Tea Partiers.

On the third test, it’s very unclear whether Trump is interested in actual political power, or just in increasing his personal brand and wealth. Even now, we can’t tell whether he will run—and keep running, after the glitz of the initial launch wears off—for president. Even if he gets into the race, will he slog through the hard work of an 18-month campaign, including getting on the ballot in all 50 states, participating in debates, developing policy positions? And, if he drops out, will he really have an interest in putting his shoulder to a real political end? Time will tell, but the initial signs are that this is mostly about Trumpery rather than government.

The most important test is the fourth—that demagogues, unlike populists, bend or break the rules. Trump clearly has no inhibition about lying for political benefit. But real demagogues go much further. Look at Joseph McCarthy, who used his selected issue of anti-communism to demolish people’s personal and professional lives. It’s hard to imagine that Trump really wants to encourage threatening behavior. But, if he ever started to ask his followers to test boundaries of lawfulness, to “challenge authority,” our hackles should quickly rise.

 

None of this means Trump isn’t worth taking seriously. To the contrary: Where Trump is succeeding in his demagogic appeals, he’s also illuminating shadowy corners of the American public. And we have to take a hard look at how this is happening. Demagogues, like nightshade, have always flourished in dark places of extreme economic or social distress. The 1920s were the last great era of American demagoguery, when Huey Long and the Detroit “radio priest” Father Coughlin rallied millions of terrified Americans against elites. It’s been no surprise that the 2010s, a time of similar distress, have fostered divisive figures from Sarah Palin to Glenn Beck to Trump.

The lesson here is that today’s restless, upset public needs reassurance—and vigorous economic policy that addresses their concerns. But we also need the media to exercise some discretion. In today’s fragmented, 24-7 echo chamber, where 500,000 nightly viewers qualify you as a pundit and one persistent blogger can take over a news cycle, the media has more responsibility for steering the ship of state toward calmer waters. Trump—as quasi-demagogue—is a creation largely of the media. The real conspiracy isn’t Trump’s mania du jour; it’s hundreds of news editors, assignment editors, reporters, and bloggers whom he’s playing like fiddles.

More broadly, though, history shows that the only real antidote to demagogues is an alert, vigilant civic culture. The ancient Athenians, exhausted by a series of vicious demagogues, passed a law exiling anyone who “proposed a measure contrary to democratic principles.” We probably don’t need to go so far, though some watching Trump today doubtless wouldn’t mind moving him to Canada. America, after all, is the land of the civic mores the visiting Frenchman Alexis de Tocqueville chronicled and admired. And we almost always eventually turn on demagogues. The stars of Father Coughlin, Joseph McCarthy, George Wallace, and David Duke all rose for a time, but, when they fell, they crashed hard.

We can never be complacent about our constitutionalism, and the Trump phenomenon bears careful watching, lest the little fires he’s clearly capable of starting spread into a larger conflagration. But, in general, Americans have shown they’ve got what it takes to nip even quasi-demagogues in the bud. Take note of Palin and Beck’s recent fates: Under heavy fire from the public for their own excesses (a persecution complex in Palin’s case, and anti-Semitic conspiracy theories in Beck’s), they both are retreating to the sidelines.

We’re early in Trump’s political career, so I offer these judgments cautiously, but my suspicion is that Trump, too, will burn out, like a hot fuse on a cold rocket. This may already have started. When President Obama took the stage last week in his stunner of a press conference to take on Trump’s birther attacks, he declared, “We’re not going to be able to solve our problems if we get distracted by sideshows and carnival barkers.” A hilarious tweet I received shortly after said that carnival barkers were protesting that the comparison with Trump was giving them a bad name. And, of course, the president easily made Trump look both inane and irrelevant when the coverage of Osama bin Laden’s death interrupted “The Celebrity Apprentice.”

There’s also a final thing Trump himself should remember, before he goes farther down what is likely a dead-end road to demagoguery: History remembers Joseph Welch’s famous question to McCarthy—“Have you no sense of decency, sir? At long last, have you left no sense of decency?”—as well as it remembers McCarthy himself. Trump has shown he doesn’t take criticism well, sending an angry retort to Vanity Fair and appearing openly thin-skinned after jokes were made at his expense at the White House Correspondents Dinner. He will likely realize soon, if he hasn’t already, that his brand, not to mention his ego, will not sustain the sort of historical thrashing that will inevitably follow any furthering of his demagogic aspirations. Indeed, in the end, The Donald’s self-love might just be his own best friend.

Michael Signer is Managing Principal of Madison Law & Strategy Group, PLLC and an adjunct professor at Virginia Tech. He was a 2009 candidate for lieutenant governor of Virginia and chairs the New Dominion Project, a Virginia political action committee.

Follow @tnr on Twitter.

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22 comments

I have a hard time not believing that the attention given to Plain, Trump, Bachmann and others is derived from just the fact that people will go to the circus to see a freak show.

- Nusholtz

May 7, 2011 at 10:54am

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After Saturday night, The Donald is done, as in stick a fork in him. My question is whether the petit Graham was in on it, or is she just a celebrity gazer who unwittingly set him up for the roasting? I suspect the latter, in which case she is more of a fool than The Donald.

- rayward

May 7, 2011 at 12:40pm

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There is something very demeaning to a respectable magazine like TNR to have to resort to such visual tricks like the Trump photo that accompanies this article. So you managed to find a second in a video that, when frozen, would make him look like a crazy wild beast. So what exactly do you gain by this, except create a visual that is off-putting of a man whose opinions you find distasteful? Is it really necessary to animalize the man in order to explain what you find wrong with his opinions?

- noga1

May 7, 2011 at 4:38pm

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noga, I doubt it is possible to get a flattering picture of Trump with his freakish hair style, bloated face, beady eyes. Should TNR have used a 20 year old picture of him? ray is right, the death of Osama destroyed Trump as well, Obama made light of Trumps "important" decision making of whether or not to fire Gary Busey and his pestering Obama about a non-existent issue (whatever happened to the "surprising" information his investigators found?) while Obama was putting the finishing touches on taking out Bin Laden. Funny how this week we have heard nothing from Trump and I don't think he is going to get any traction out of "where is Obama's college transcripts" type nonsense. What else does he have? He is making Trump clothing in China while railing against China. His calling for us to kill Arabs and take the oil is insane to most Americans. Amazing how in just a single week's events Trump is now done. The worst thing it shows is he has very bad timing.

- blackton

May 7, 2011 at 6:15pm

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I'm not a Trump fan. I'm not a Palin fan. That said I still object to TNR's propensity for using grotesque charicaturizing photographs of the subjects of their adversarial attentions. Next thing you know they'll be using photoshopped horns and pitchforks. It just feels kind of cheap to me. Trump doesn't require the help of a photograph of him picking his nose to illustrate the fact that he is a nose picker.

- jacko

May 7, 2011 at 6:35pm

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Noga. Great minds think alike. I suppose that I should have refreshed the page before offering up my little comment.

- jacko

May 7, 2011 at 6:38pm

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Jacko and Noga1. I see nothing wrong under these circumstances with putting a photo of Trump that matches the content of an article. We all know what he looks like and we all know that the picture is abnormal. It's not like they are including the photo in a wedding album. It's there for atmosphere.

- Nusholtz

May 7, 2011 at 10:30pm

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It smacks of tabloid.

- jacko

May 7, 2011 at 10:56pm

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"It smacks of tabloid." It's worse than that. Such shenanigans are simply unbecoming in a serious political magazine. Too emotionally self-indulgent. But it's not the first time they resort to this tactic. Some editor with a juvenile sense of vindictive humour must be in charge.

- noga1

May 7, 2011 at 11:13pm

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TThat said I still object to TNR's propensity for using grotesque charicaturizing photographs of the subjects of their adversarial attentions. Sounds like TNR has been a tabloid for a long time.

- Nusholtz

May 8, 2011 at 9:57am

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"Sounds like TNR has been a tabloid for a long time." I can't speak to that. All I know is what I've seen since having signed on to regular readership. In the neighborhood of about 10 years. I'm of the opinion that they all too easily slip into adversarial cheap tricks. If their purpose is to generate a following where rigor is not a priority then fine. I'll find another place to be. I can get that anywhere and everywhere. I just find it unattractively incongruent with what I have valued this journal as. A cross purpose that doesn't fit well. They may have concluded that in order to pay their bills they have made the decision to do more red meat for the dogmatic. Whatever. Going from a nice porterhouse to ground beef isn't what I would call an improvement. Perhaps you can sell more burgers than steaks given our psychological political economy. Like I say, whatever.

- jacko

May 8, 2011 at 11:13am

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Jacko Can I assume that you feel a distorted photo is objectionable but an exaggerated cartoon is not? Or are they both objectionable to you? My point, is there a point at which some license in presentation allowed, or is it never allowed?

- Nusholtz

May 8, 2011 at 2:54pm

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I know what you're saying. I have to admit that I am not a fan of caricature, Japs with buck teeth, Jews and big noses. Artistic license or no. Now that you mention it perhaps I do regard photographs with a different distinction than drawn art. There is something more intimate with an implied ownership and thus a privacy kind of issue floating around the outlines of this thing. I can't really put my finger on it but thanks for getting me all bothered about it. I suppose that I've fleshed out less consequential stuff. Why not this, heh?

- jacko

May 8, 2011 at 4:18pm

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A cartoon is much preferable to this kind of photographic distortion. People know a cartoon exaggerates, is satirical in purpose. A photo is more like a document and an animalizing photo purports to be a record. A cartoon passes through the the filter of the brain. A photo is like a shot of disgust into the blood vein.

- noga1

May 8, 2011 at 5:58pm

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A cartoon is at its core an artistic representation. A photo can be too, but unlike creative caricature there is an underlying ethic of documentary photography that says one shouldn't tweak, touch-up, or fake the elements of a photo. An LA Times photographer lost his job and his reputation back in 2003 when he produced a photo -- which was on the front page -- from the invasion of Iraq that was in fact an amalgam of two images taken a minute or so apart. There was nothing controversial or political in the pics, but some sharp-eyed readers and photojournalists spotted the fix and challenged him. No mercy. It's a bit different when the image itself is perfectly accurate but can be used a certain way; one obvious example is the famous Dukakis photo where he's in the turret of the army tank wearing an oversize helmet that makes him look like a ten-year old playing at soldiers. You could call the photo sneaky, but it wasn't doctored in any way. I tend toward Noga's argument above on this, although I think Trump is such an odd character to deal with. It's difficult to make him look any more like the performative version of himself than he does. How do you portray someone who has already embraced a kind of (unaware?) self-sabotage.

- ironyroad

May 8, 2011 at 8:40pm

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Okay, then, we should instruct the editors that they may use exaggerated photos providing they manually add things like mustaches, goatees or a black tooth which are obvious acts of distortion, but nothing stereotyped. Although, I feel the picture of Trump is obviously distorted even if it is not manually distorted.

- Nusholtz

May 8, 2011 at 9:56pm

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I've seen the most use of the photo tactic with people that I believe they consider extreme in some way - Trump, Ryan, and Bachmann come to mind, but I don't believe it's applied to all republicans or conservatives. You guys are right in that rarely are normal, leave aside flattering pictures of these people show up in TNR. Palin is an odd miss, by the way.

- NR409654

May 8, 2011 at 10:15pm

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"Rarely do ...", not "rarely are ..."

- NR409654

May 8, 2011 at 10:17pm

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Here is an example of a similar way in which photos can be almost slanderous, while being real photos: http://progressivealaska.blogspot.com/2010/08/thoughts-on-abe-foxmans-speechlessness.html

- noga1

May 8, 2011 at 10:48pm

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That's somewhat of an ambiguous example -- Foxman looks like an angry guy who isn't listening to anyone and doesn't plan to, but Zakaria looks like an unctious slack-jawed appeaser.

- ironyroad

May 9, 2011 at 12:40am

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It's not at all ambiguous in my eyes, ironyroad. The intent of the blogger seems pretty blatant and not at all complicated.

- noga1

May 9, 2011 at 6:40am

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I mean the photos as a combination of images, not so much the intent behind them.

- ironyroad

May 9, 2011 at 12:56pm

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