Sarah Williams Goldhagen

The Great Architect Rebellion of 2014
This year's Venice Bienale demolishes the popular notion of modernism in architecture
August 29, 2014

This year's Venice Bienale demolishes the popular notion of modernism in architecture.

The 2014 Winner of the Pritzker Prize is Revolutionizing Architecture
March 24, 2014

Globalization, climate change, and digital technology have thoroughly reshaped architecture as a profession and as an art. 2014 Pritzker Prize winner Shigeru Ban is leading the revolution. 

Yes, Denise Scott Brown Deserves a Pritzker Prize
She shared the work with her husband. She should share the prize, too.

Never mind the politics: It's clear, even to a non-fan, that Denise Scott Brown shared the work that earned her husband architecture's top prize.

Toyo Ito's Pritzker Prize
An architect with a sense of the body
March 17, 2013

Architecture, by definition, lives a world of big money. Buying land. Commissioning, then giving rein to, while reining in the designer. Doling out fees for structural engineers, HVAC technicians, lighting consultants, work permits. Excavating.

The Revolution at Your Community Library
New Media, New Community Centers
March 09, 2013

The transition away from card catalogs hasn't killed the library: it's spurred the innovation of new community centers.

Architecture is More Than Just Buildings: In Remembrance of Ada Louise Huxtable
January 12, 2013

Architecture occupies a peculiar place in the life of democratic societies. Most buildings get built because some private concern, an individual or a corporate entity, commissions it. Because procuring land and constructing buildings is expensive, the private concerns that do so typically enjoy the benefits of wealth, which include social and political influence in excess of the democratic credo of one man, one vote. Yet architecture, or most of it anyway, is a public good: what any one person or institution builds, others must live with, and often for a very long time.

The Beauty and Inhumanity of Oscar Niemeyer’s Architecture
December 12, 2012

Don’t believe it when you read that Oscar Niemeyer, the Brazilian architect who died this week only days before he would have turned 105, was the one who took the chill off modernist design with his flamboyantly curving, white thin-shell concrete buildings. That’s the sort of nonsense that gets peddled in obituaries and haigiographies, particularly when a charismatic charmer distorts the historical record to inflate his own contribution, takes credit for the innovations of others, and outlives—by decades!—his competitors.

Sarah Williams Goldhagen on Architecture: Living High

Before 2013 begins, catch up on the best of 2012. From now until the New Year, we will be re-posting some of The New Republic’s most thought-provoking pieces of the year. Enjoy. For any number of pundits, policymakers, and scholars, the new next hot thing, in countries developed and developing, is The City—or, more expansively and more precisely, the megalopolis and its little brother, the metropolis.

In Praise of The Sea Ranch, a Sublimely Beautiful Example of Environmental Architecture
November 26, 2011

Where can you find a land so sublime it instills in you an almost biblical, yearning delight? Where time slows so dramatically that the direction in which purple, wheat-colored, and yellow grasses blow becomes the indolent object of concentrated fascination?

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